#: locale=en

## Action

### PDF
PopupPDFBehaviour_5D6F5DBE_6A88_DB91_41BF_DD0649291520.url = files/Sowing%20Agency%20Catalogue%20(Portrait)_digitalversion_en.pdf
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PopupPDFBehaviour_226DA2AA_6B4A_4046_41DA_7F85A93A9A26.url = files/The%20SF%20Asian%20American%20Arts%20Community%20Needs%20Assessment%20Project_en.pdf

## Media

### Image
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### Video Subtitles

## Popup

### Body
htmlText_56E852BE_6BD7_C1BE_41CB_D6777350BED0.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Island Bound</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Creative Direction by Sami See</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Photography by Sam Arn</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">archival pigment prints from an infrared-filtered color photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>Is the island a body that keeps score?</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>Island Bound</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> is a curatorial project that began with that premise — a question I carried as an artist-researcher visiting islands across the Philippine archipelago between 2023 and 2025.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Siargao, a tear-drop shaped island small enough to drive end-to-end in under an hour, entered international consciousness as a surf destination in the early 1990s, when Cloud 9, one of its Pacific reef breaks, was named among the world's best surf destinations. In the decades since, it has drawn hundreds of thousands of tourists annually, accelerating a tourism economy that reshaped the island's reefs, ecology, and social fabric beyond recognition.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>Island Bound</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> captures bare moments of a site-based performance by Filipina artists Mistress Joyen, Paula Bianca, and Sami See, photographed in infrared by Sam Arn — at a stretch of Siargao island's coral reef, only days before a resort construction crew illegally bulldozed it at night to make the shoreline less jagged for their patrons to swim and walk on.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Infrared renders light the human eye has been trained to overlook: the veins under the skin, the heat held in sand, the light the surface deflects, the invisible frequencies moving through everything. It makes the unseen legible on its own terms.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">This series explores the somatic relationship between an island's body and its human and non-human residents. For long-term residents, the loss of the reef — the bones and immune system of the island — is brutal. Protection from future storms is compromised, and the diversity of resources is diminished forever. Yet to leave in the face of loss is often spiritually and economically unviable, while staying requires endurance of worsening conditions. Locals absorb the loss chronically, in their bodies, without exit.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">For tourists and short-term visitors, the dynamic is different but not separate. They visit to experience a wave, the golden hour, and brown bodies — exchanging resources for a performance until satiated, then departing, having consumed and inconsequentially impacting the island forever. The tourist doesn't keep score. The island does.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Ecopsychology and somatic frameworks document that repeated exposure to unaccountable threats narrows the capacity to regulate. An island in grief behaves the same way.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Siargao and the bodies that live in relation to it are not exceptional. They are a precise example of a global condition: the manufactured invisibility of structural harm in places where beauty is the commodity. You know this dynamic. You live inside a version of it.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The question is not only what is happening on this small island in the southern Philippines. It is what we have all learned not to see in our own bodies, cities, and relationships — and whether we can find each other in the unseen.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">When we attune to the island as body, what becomes visible is not only the crisis. It is the individual and its relations remaining afloat together, connected, cared for, and resilient. The storms continue, yet the metric worth embodying is not survival alone, but the quality of how we move through it, together.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4453C449_6B4E_C0C2_41D6_6CBF242EB2BB.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Asma Ghanem chose to paint my mother “Naima” as the main character in this series of paintings to cherish her as a Palestinian mother who showed up for our family such as a lot of Palestinian mothers and women who created life in the times of war. The artworks include Arabic language to focus on the concept of homeland and mother, which is a reflection on the connection between them both and how the Palestinian mothers were home when home was lost, but also the blessing to search for it.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_5A0D54E3_6B4E_41C6_41C5_41468D670B17.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Asma Ghanem</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Umahat/Mothers</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">acrylic and pastel on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_5A9C9819_6BCE_C042_41C5_42AF59D5F04B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Asma Ghanem</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Watan/Homeland</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">acrylic and glitter on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_3B2E4232_6A9B_C891_41D3_C0648BC6E970.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Dance Collective -</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Sachiko Nakamura, co-founder</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1988</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_5189088C_6AB8_F871_41D9_C086F573C233.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Jazz Festival - Jessica Hagedorn</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1992</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_549A4FCA_6AB9_D7F1_41C6_08997DE17A6C.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Jazz Festival - Jessica Hagedorn</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1992</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV></BODY></HTML></div>
htmlText_541A17B2_6AB8_3791_41D4_38EDB928B8B5.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Jazz Festival - Vijay Iyer</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1990</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV></BODY></HTML></div>
htmlText_54BF8D77_6AB8_F89F_41D8_8C54561E1F6E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Jazz Festival - Vijay Iyer</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1990</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV></BODY></HTML></div>
htmlText_2A56CD90_6AB8_3B91_41D6_F4882B39D618.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Jazz Festival - Zakir Hussain</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1993</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV></BODY></HTML></div>
htmlText_7507F983_6B4A_C046_41C7_431C96A7DD79.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Theater Company -</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Dance and the Railroad</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">by David Henry Hwang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1983</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_75235133_6B4A_C046_41DA_4849B6AF7713.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Theater Company -</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>F.O.B. by David Henry Hwang</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1982</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4DC28EE8_6B77_C1C2_41D8_864D93465999.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Women Artists Association -</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Bernice Bing, founding artist</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1990</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4D27B84C_6B76_40C2_41A2_957254CFAD54.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Kearny Street Workshop Poets</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>with Manong Freddy</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1976</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4C5E258A_6B76_C046_41BD_852F8B0D9DA3.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Kearny Street Workshop/Jackson Street</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Gallery - PINOTOH (People in Need of</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Their Own Housing) Exhibition</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1976</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4CF5A679_6B75_C0C2_41D1_554F08A8DAC0.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Bob Hsiang</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Manongs at Pool Hall</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1976</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_21EE65A5_6A99_CBB3_41C1_BD16D1B93A18.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Brenda Wong Aoki</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Designed by Lydia Tanji</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Storyteller’s Gown (Soul of the City)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">performance garment (fabric, mixed materials)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">As a performing artist, I am a master of a moment. A moment in time holds infinite possibility—but once it passes, it sets a trajectory. Moments become memory; memory becomes story; story becomes myth; over time, myth becomes the “why.” That is the responsibility.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My training comes from Nohgaku, from the lineage of Shinto priestesses—the first storytellers, wandering women who carried story between worlds. In Shinto, the national religion of Japan, the divine is embodied in the sun goddess. This lineage honors the divine feminine as creator—the source of life. Without our mothers, none of us would be here. That is the ground from which my work emerges.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My sensei, Living Treasure Mansaku Nomura, once told me: “Aoki-san, you are so lucky. You are American. You will have new stories, new art forms. You must take what I teach you and make it yours.” That has been my life’s work: to create new art forms that carry ancestral wisdom, offer food for the soul, and uncover the light.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Working across theater, music, and movement, I have developed a transdisciplinary practice bringing together Nohgaku, jazz, and contemporary performance. This work lives at the intersection of composition and improvisation, structure and risk. It is shaped in collaboration—with musicians, visual artists, those present, and the moment.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">We work with </SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>ma</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">—the space of silence, the unformed field where infinite possibility exists, where what has not yet appeared begins to take shape.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My job is to witness—boots on the ground, skin in the game—fully present inside the life I am living, and to testify through the work. The work goes beyond words, past the thinking mind, beyond category and identity, into something shared—something human—that connects us. In this way, memory lives in the body; what is embodied is carried forward and lasts longer than stone.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">This installation holds a lifetime of that work—mine and Mark’s—shaped over fifty years inside the community. My gown, his jacket, his sheng, and the images carry traces of lived moments—artists taking responsibility for the moment they are given, connecting heaven and earth, past and present, the ancestors and those here now.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">In our work, as in Nohgaku and Mark’s training in Gagaku, we present directly to the people—there is no separation between us and those gathered. What emerges is a dialogue: a song/dance/drama about and for those present.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Through that exchange, something shifts. People arrive as individuals, but in that shared moment something opens—a remembering, a recognition—and we move, even briefly, from “me” to “we.” The work transforms—it reminds us we are not alone.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">From the basement of the I-Hotel in 1976 to </SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>Soul of the City</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> (2024–), this is a living body of work. The cast and crew images remind me that it is still happening now. The work continues—with new artists, new audiences, and new stories.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">I miss my husband.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">And I am still here.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">And the work goes on.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_225EA0C7_6A98_49FF_41B5_785D15B9AE6B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Brenda Wong Aoki</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Designed by Lydia Tanji</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Storyteller’s Gown (Soul of the City)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">performance garment (fabric, mixed materials)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">As a performing artist, I am a master of a moment. A moment in time holds infinite possibility—but once it passes, it sets a trajectory. Moments become memory; memory becomes story; story becomes myth; over time, myth becomes the “why.” That is the responsibility.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My training comes from Nohgaku, from the lineage of Shinto priestesses—the first storytellers, wandering women who carried story between worlds. In Shinto, the national religion of Japan, the divine is embodied in the sun goddess. This lineage honors the divine feminine as creator—the source of life. Without our mothers, none of us would be here. That is the ground from which my work emerges.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My sensei, Living Treasure Mansaku Nomura, once told me: “Aoki-san, you are so lucky. You are American. You will have new stories, new art forms. You must take what I teach you and make it yours.” That has been my life’s work: to create new art forms that carry ancestral wisdom, offer food for the soul, and uncover the light.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Working across theater, music, and movement, I have developed a transdisciplinary practice bringing together Nohgaku, jazz, and contemporary performance. This work lives at the intersection of composition and improvisation, structure and risk. It is shaped in collaboration—with musicians, visual artists, those present, and the moment.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">We work with </SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>ma</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">—the space of silence, the unformed field where infinite possibility exists, where what has not yet appeared begins to take shape.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My job is to witness—boots on the ground, skin in the game—fully present inside the life I am living, and to testify through the work. The work goes beyond words, past the thinking mind, beyond category and identity, into something shared—something human—that connects us. In this way, memory lives in the body; what is embodied is carried forward and lasts longer than stone.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">This installation holds a lifetime of that work—mine and Mark’s—shaped over fifty years inside the community. My gown, his jacket, his sheng, and the images carry traces of lived moments—artists taking responsibility for the moment they are given, connecting heaven and earth, past and present, the ancestors and those here now.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">In our work, as in Nohgaku and Mark’s training in Gagaku, we present directly to the people—there is no separation between us and those gathered. What emerges is a dialogue: a song/dance/drama about and for those present.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Through that exchange, something shifts. People arrive as individuals, but in that shared moment something opens—a remembering, a recognition—and we move, even briefly, from “me” to “we.” The work transforms—it reminds us we are not alone.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">From the basement of the I-Hotel in 1976 to </SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>Soul of the City</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> (2024–), this is a living body of work. The cast and crew images remind me that it is still happening now. The work continues—with new artists, new audiences, and new stories.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">I miss my husband.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">And I am still here.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">And the work goes on.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_26A28A4E_6A88_38F1_41C1_870B9DEB7A3B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Brenda Wong Aoki</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Designed by Lydia Tanji</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Storyteller’s Gown (Soul of the City)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">performance garment (fabric, mixed materials)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">As a performing artist, I am a master of a moment. A moment in time holds infinite possibility—but once it passes, it sets a trajectory. Moments become memory; memory becomes story; story becomes myth; over time, myth becomes the “why.” That is the responsibility.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My training comes from Nohgaku, from the lineage of Shinto priestesses—the first storytellers, wandering women who carried story between worlds. In Shinto, the national religion of Japan, the divine is embodied in the sun goddess. This lineage honors the divine feminine as creator—the source of life. Without our mothers, none of us would be here. That is the ground from which my work emerges.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My sensei, Living Treasure Mansaku Nomura, once told me: “Aoki-san, you are so lucky. You are American. You will have new stories, new art forms. You must take what I teach you and make it yours.” That has been my life’s work: to create new art forms that carry ancestral wisdom, offer food for the soul, and uncover the light.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Working across theater, music, and movement, I have developed a transdisciplinary practice bringing together Nohgaku, jazz, and contemporary performance. This work lives at the intersection of composition and improvisation, structure and risk. It is shaped in collaboration—with musicians, visual artists, those present, and the moment.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">We work with </SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>ma</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">—the space of silence, the unformed field where infinite possibility exists, where what has not yet appeared begins to take shape.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My job is to witness—boots on the ground, skin in the game—fully present inside the life I am living, and to testify through the work. The work goes beyond words, past the thinking mind, beyond category and identity, into something shared—something human—that connects us. In this way, memory lives in the body; what is embodied is carried forward and lasts longer than stone.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">This installation holds a lifetime of that work—mine and Mark’s—shaped over fifty years inside the community. My gown, his jacket, his sheng, and the images carry traces of lived moments—artists taking responsibility for the moment they are given, connecting heaven and earth, past and present, the ancestors and those here now.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">In our work, as in Nohgaku and Mark’s training in Gagaku, we present directly to the people—there is no separation between us and those gathered. What emerges is a dialogue: a song/dance/drama about and for those present.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Through that exchange, something shifts. People arrive as individuals, but in that shared moment something opens—a remembering, a recognition—and we move, even briefly, from “me” to “we.” The work transforms—it reminds us we are not alone.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">From the basement of the I-Hotel in 1976 to </SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>Soul of the City</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> (2024–), this is a living body of work. The cast and crew images remind me that it is still happening now. The work continues—with new artists, new audiences, and new stories.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">I miss my husband.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">And I am still here.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">And the work goes on.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_43585D79_6A88_3893_4197_01A60D7F8950.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Diana Yi-Yi Chen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Community Documentations 2017-2025</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2017-2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed photographs</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Community events in order by year:</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">ANiMA at Mission Cultural Center for Latina Arts, USAAF 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">URBAN x INDIGENOUS at SOMArts Cultural Center, USAAF 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rest In Peace Irene at Bindlestiff Studio, USAAF 2019</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Jade Wave Rising at SOMArts Cultural Center, USAAF 2023</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Sunday Streets Tenderloin Outdoor Showcase, USAAF 2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_21EDE5A6_6A99_CBB1_41B1_B0CEB0C339F1.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">First Voice</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Photos by Mark Shigenaga</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Soul of the City Cast and Crew (Diptych)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photographic prints</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_24D8E6CA_6A98_49F1_41C7_77A578F96DA9.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">First Voice</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Photos by Mark Shigenaga</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Soul of the City Cast and Crew (Diptych)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">photographic prints</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_57A492A0_6AB8_49B1_41D2_CD722B8C9286.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Hideo Chester Yoshida</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>6th Asian American Jazz Festival</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1987</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">silkscreen poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
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htmlText_7746899C_6AB8_5B91_41D3_0FFBE5719E8C.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Jennifer Boyuan Han</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Self-Collage #17</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">colored sand on paper board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4BDF4E32_6AB7_F891_41D6_937D05DF14DC.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Jennifer Boyuan Han</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Sunflowers in 1998</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">colored sand, mod podge matte on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_7602137A_6A89_C891_41CC_AF75CA9AB784.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Jennifer Boyuan Han</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Teapots and Blankets, Feb 6, 1997</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2025</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">colored sand, mod podge matte on wood</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV></BODY></HTML></div>
htmlText_41369BE4_6AF9_DFB1_41D6_42978B66614F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Katie Quan</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>From the Ground Up</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">film, duration: 36 minutes</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">“From the Ground Up” is a love letter to our elders and our role models. The 35-minute film follows Leon Sun, Barnali Ghosh, and Anirvan Chatterjee of the Berkeley South Asian Radical History Walking Tour, alongside Caroline Cabading of the Manilatown Heritage Foundation, as they explore the intersections of Asian American community art, history, and archival work in the San Francisco Bay Area.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_70C4E839_6B3A_4042_41BB_B416A52C331F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Katie Quan</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Long Live the Last Hoisan Poets!</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">digital art print</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">“Long Live the Hoisan Poets!” is a love letter to our elders and our role models. An ode to Genny Lim, Nellie Wong, Flo Oy Wong, and Andi Wong, honoring the power and legacy of their sisterhood. It is with both sadness and admiration that the piece highlights their collective poetry in the wake of Nellie and Flo’s recent transitions.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Across both works is a shared love for community and a deep awareness of how place, space, and memory are intrinsically tied together. Their stories offer a sense of care, welcoming those who need it most. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">This work emerges from a lineage of mountain movers and caretakers. Through their fights, we have cultural institutions and places to call our own. Through ongoing relationships with these artists, these works carry forward their commitments towards a shared vision of care and justice.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_7639A4DB_6B3E_C1C6_41C5_C67AC8A2B777.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Kimberley Acebo Arteche</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asun</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2022</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">screenprint on digital archival print</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>Asun</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> from </SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>It Wasn’t Only a Hotel</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">, originally created for the Art on Market Street Poster Series, hearkens to the untold herstories surrounding a once-vibrant Filipino American enclave and the I-Hotel: a building whose demolition marked the end of Manilatown as it was previously known. Sourced from oral histories by her daughter, Annie Panlibuton Barnes, </SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>Asun</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> shares the legacy of care of Asuncion Panlibutan, who organized care homes for the Manongs who were evicted from the I-Hotel.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4D12563D_6B4E_4042_41B9_7863733A7268.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Kimberley Acebo Arteche</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>History of Care</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">used dusters, fabric</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>History of Care</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> centers the duster, a housedress worn close to the body during the invisible hours of domestic work. Collected from Filipina women—mothers, organizers, elders—these dresses carry the texture of care: the nourishing and tending that happens before and after the organizing work. The quilt stitches these fabrics into a counter-archive, tracing how care has always been the infrastructure of movements—the childcare circles that made meetings possible, the hands that cooked ulam so that people could gather, sustain themselves, and keep going. This labor was rarely recorded, but never absent.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_5C60D726_6A98_C8B1_41AE_46CB94AACBA6.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Lisa Pradhan, Diana Yi-Yi Chen, Diana Li</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Resowing Agency </I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">mixed media installation</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#f3a22e;"><A HREF="https://somarts.org/exhibition/sowingagencyvirtualgallery/" TARGET="_blank" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#0000cc;font-family:'Ubuntu';">Revisit the original virtual installation here</SPAN></A></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">In this installation of Resowing Agency, the curator, exhibition manager and documentarian for 2021’s Sowing Agency came together to reanimate the work from a new perspective. Sowing Agency was inspired by the fight for environmental justice with a particular interest in highlighting how our communities locate hope, advocacy and creativity in this climate crisis. Resowing Agency revisits these stories of local and global environmental fights through the work of artists and storytellers, centering collective leadership, resistance and renewed vision of possibility for the future.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Co-presented by Asian American Women Artist Association and Asian Pacific Islander Cultural Center in the midst of COVID, Sowing Agency was one of the first programs during that time to implement a hybrid model as part of the United States of Asian America Festival. Pairing an in person exhibition at SOMArts with multiple virtual exhibitions and programs, during a time of isolation became a way to foster connection. Partnership was central to the development of the exhibition and Lisa Pradhan, the curator of the show, focused on building a broad coalition of community partners with groups like 18 Million Rising, Asian Pacific Environmental Network, Berkeley South Asian Radical History Walking Tour and South of Market Community Action Network in addition to many other partners.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_458AB143_6C33_72E0_41D8_ACD2C7A8E714.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Lisa Pradhan, Diana Yi-Yi Chen, Diana Li</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Resowing Agency </I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">mixed media installation</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#f3a22e;"><A HREF="https://somarts.org/exhibition/sowingagencyvirtualgallery/" TARGET="_blank" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#0000cc;font-family:'Ubuntu';">Revisit the original virtual installation here</SPAN></A></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">In this installation of Resowing Agency, the curator, exhibition manager and documentarian for 2021’s Sowing Agency came together to reanimate the work from a new perspective. Sowing Agency was inspired by the fight for environmental justice with a particular interest in highlighting how our communities locate hope, advocacy and creativity in this climate crisis. Resowing Agency revisits these stories of local and global environmental fights through the work of artists and storytellers, centering collective leadership, resistance and renewed vision of possibility for the future.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Co-presented by Asian American Women Artist Association and Asian Pacific Islander Cultural Center in the midst of COVID, Sowing Agency was one of the first programs during that time to implement a hybrid model as part of the United States of Asian America Festival. Pairing an in person exhibition at SOMArts with multiple virtual exhibitions and programs, during a time of isolation became a way to foster connection. Partnership was central to the development of the exhibition and Lisa Pradhan, the curator of the show, focused on building a broad coalition of community partners with groups like 18 Million Rising, Asian Pacific Environmental Network, Berkeley South Asian Radical History Walking Tour and South of Market Community Action Network in addition to many other partners.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_584DF34D_6BCA_40D7_41CA_7EF964CB360B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Macro Waves (Robin Birdd David, Dominic Cheng, and Jeffrey Yip)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unpacking the APICC Archives: The Collective Struggles of the Older, Smaller, Asian, Community-Based, Arts Organization (OSACAO)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed administrative documents on textile, video collage of archival performances, and audio interviews</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The Older, Smaller, Asian, Community-Based Arts Organization (OSACAO) was the de facto name for what would later become the Asian Pacific Islander Cultural Center (APICC). This installation marks the beginning of an unfolding archive—one that remains incomplete, with stories, perspectives, and materials still missing from APICC’s founding history.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Commissioned by APICC, Macro Waves presents a multimedia installation drawn from the organization’s archive, focusing on its formative years (1995–1998). The work assembles physical and digital remnants of a collective struggle to sustain funding, cultural visibility, and a permanent place for the local Asian American arts community. Centered on two archival boxes—“Arts Advocacy” and “1998 USAAF Festival”—the installation brings together fragmented administrative documents and oral histories that recount key moments of civic engagement, coalition-building, and community resilience. Printed on textiles and pinned into layered compositions, board minutes, emails, grant proposals, surveys, and newspaper clippings trace the often-invisible labor behind this movement.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 1 presents vertically hung fabric embedded with planning documents for APICC’s early festival initiatives. At one end is a video montage that weaves together past performances, exhibitions, and public programs with audio interviews featuring photographer Bob Hsiang, artist and former Kearny Street Workshop Executive Director Nancy Hom, and APICC co-founder Pamela Wu-Kochiyama. On the other end is a reprint of the 1995 San Francisco Asian American Arts Community Needs Assessment Project report, which details a comprehensive community survey, analysis, and recommendations that were prepared for the San Francisco Arts Commission.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 2 features horizontally draped textiles displaying archival materials from early arts advocacy efforts. Documents ranging from proposed amendments to the Cultural Facilities Bond to the formation of the Asian and Pacific Islander Arts Community Development Initiative reveal an ongoing struggle to secure a permanent cultural center.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rather than presenting a complete history, this installation treats the archive as ongoing and partial. It invites viewers to consider what is preserved, what is missing, and how collective memory continues to be shaped. Continued research, community engagement, and the inclusion of diverse voices remain essential to expanding this history—both to better understand the past and to inform the future of Asian American Arts.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_50499741_6BDE_C0C2_41B6_FA2B788D873D.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Macro Waves (Robin Birdd David, Dominic Cheng, and Jeffrey Yip)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unpacking the APICC Archives: The Collective Struggles of the Older, Smaller, Asian, Community-Based, Arts Organization (OSACAO)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed administrative documents on textile, video collage of archival performances, and audio interviews</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The Older, Smaller, Asian, Community-Based Arts Organization (OSACAO) was the de facto name for what would later become the Asian Pacific Islander Cultural Center (APICC). This installation marks the beginning of an unfolding archive—one that remains incomplete, with stories, perspectives, and materials still missing from APICC’s founding history.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Commissioned by APICC, Macro Waves presents a multimedia installation drawn from the organization’s archive, focusing on its formative years (1995–1998). The work assembles physical and digital remnants of a collective struggle to sustain funding, cultural visibility, and a permanent place for the local Asian American arts community. Centered on two archival boxes—“Arts Advocacy” and “1998 USAAF Festival”—the installation brings together fragmented administrative documents and oral histories that recount key moments of civic engagement, coalition-building, and community resilience. Printed on textiles and pinned into layered compositions, board minutes, emails, grant proposals, surveys, and newspaper clippings trace the often-invisible labor behind this movement.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 1 presents vertically hung fabric embedded with planning documents for APICC’s early festival initiatives. At one end is a video montage that weaves together past performances, exhibitions, and public programs with audio interviews featuring photographer Bob Hsiang, artist and former Kearny Street Workshop Executive Director Nancy Hom, and APICC co-founder Pamela Wu-Kochiyama. On the other end is a reprint of the 1995 San Francisco Asian American Arts Community Needs Assessment Project report, which details a comprehensive community survey, analysis, and recommendations that were prepared for the San Francisco Arts Commission.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 2 features horizontally draped textiles displaying archival materials from early arts advocacy efforts. Documents ranging from proposed amendments to the Cultural Facilities Bond to the formation of the Asian and Pacific Islander Arts Community Development Initiative reveal an ongoing struggle to secure a permanent cultural center.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rather than presenting a complete history, this installation treats the archive as ongoing and partial. It invites viewers to consider what is preserved, what is missing, and how collective memory continues to be shaped. Continued research, community engagement, and the inclusion of diverse voices remain essential to expanding this history—both to better understand the past and to inform the future of Asian American Arts.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4C157A2A_6A98_D8B1_41B6_528B3D7CCBA1.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Mari Rose Taruc</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Filipino Worker Bee</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1996</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">acrylic, oil pastel, shellac on wood panel</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4F2C785D_6A99_D893_41D6_CB0A27BDDC95.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Mari Rose Taruc</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Suns and Daughters for Environmental Justice</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2015</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">acrylic, paper, oil pastel, ink on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4C90EBEA_6A88_5FB1_41C3_5B7A13C3BC9E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Mari Rose Taruc</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>US Social Forum Heartbeat</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2007</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">acrylic, paper on canvas</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_22D10CB3_6A88_7997_41C2_012FE75BA412.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Mark Izu</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Mark Izu's Sheng</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1990s</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Chinese mouth organ (wood, metal)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_29399EA0_6A88_D9B1_41B6_B0CBB049187B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Mark Izu</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Mark Izu's Sheng</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1990s</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Chinese mouth organ (wood, metal)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_2DCD3522_6A88_48B1_41D9_1ABE9B408AAD.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Mark Izu</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Mark Izu's Sheng</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1990s</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Chinese mouth organ (wood, metal)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_2DCF9523_6A88_48B7_41BA_8C8C238FA7E0.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Mark Izu</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Mark Izu’s Leather Jacket</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1980s</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">worn leather</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_23C18DEC_6A88_3BB1_4192_34682BF91914.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Mark Izu</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Mark Izu’s Leather Jacket</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1980s</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">worn leather</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_5AC56706_6BF6_404E_41AD_F56309DBCD32.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Michelle Lin</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Betray Empire</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">handwoven wool</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Echoing direct action banner drops, “Rehearse Freedom” and “Betray Empire” are promises and calls to action to fight against the model minority mentality that perpetuates and upholds anti-Blackness, colonialism, classism, and racial capitalism. How will you practice liberation for yourself and for all peoples? How will you disavow oppressive systems and practices that harm your self and others? How can we live better together, here in the imperial core?</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">feed a friend • kiss • rest • escalate • learn to cry • learn to touch • learn to say sorry • hold the line • bring u a pillow • believe • wheat paste • betray empire • break a window • sit in silence • be grateful • be ungrateful • throw down with strangers • trust • redistribute wealth • refuse binary • ask for help • know your rights • return to land • return the land • love yourself • intervene • demand nothing less • hold the door open • pet a dog • scream on a beach • liberate a building • sleep forever • feed the people • break the wall • laugh • look at the stars • strategize • write a letter • de-arrest • block a boat • hold a hand • Free Palestine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_40CAD85F_6B4A_40FE_41BD_CDD44A436055.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Michelle Lin</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Portal</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">handwoven wool, paper, driftwood</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">“Portal” was woven during Kearny Street Workshop’s inaugural AVA Lab retreat which took place on the lands of the Pomo people in Mendocino. During our time together in an old farmhouse, hiking through the woods, and making art on beach sands and waves, we reflected on the ways we want to hold space with our community. What do we wish for, and what will we commit to, being artists and cultural workers? We wove our intentions into a declaration and portal by the sun, forests, and sea. Weavers included Kim Acebo Arteche, Jason Bayani, Houyee Chow-Jiménez, Mihee Kim, Michelle Lin, Lehua Taitano, Weston Teruya, Malaya Tuyay, Ngân Vũ, and Jes Young.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_418510B6_6B7A_404E_41D0_1E70A5C28A34.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Michelle Lin</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Portal</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">handwoven wool, paper, driftwood</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">“Portal” was woven during Kearny Street Workshop’s inaugural AVA Lab retreat which took place on the lands of the Pomo people in Mendocino. During our time together in an old farmhouse, hiking through the woods, and making art on beach sands and waves, we reflected on the ways we want to hold space with our community. What do we wish for, and what will we commit to, being artists and cultural workers? We wove our intentions into a declaration and portal by the sun, forests, and sea. Weavers included Kim Acebo Arteche, Jason Bayani, Houyee Chow-Jiménez, Mihee Kim, Michelle Lin, Lehua Taitano, Weston Teruya, Malaya Tuyay, Ngân Vũ, and Jes Young.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4FD425AA_6B4E_C046_41C5_B7DC8165E947.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Michelle Lin</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Rehearse Freedom</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">handwoven wool</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4371D567_6B4A_40CE_41D6_CB8B84400A07.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My 10 photographs represent a small representation of 20 years of documenting various Asian American arts organizations. Beginning with Kearny Street Workshop in 1976, I worked with the Asian American Dance Collective/ AADC, Asian American Jazz Festival/AAJF, Asian American Theater Company/AATC, NAATA/CAAM. Asian American Women Artists Association (AAWAA). Most of the work was done on a volunteer basis but also as paid assignment work. Coming from a Chinese theater background as a child, I was interested in the emergence of Asian American art as an evolving historical trend that coincided with the awakening of an Asian American consciousness that began in 1970. At Kearny Street Workshop, I met fellow artists who were working with the community and the struggle of Pilipino elders at the International Hotel. I witnessed the early formative years of the AADC, Asian American Jazz Festival and AATC which flourished in the 1980's. What I witnessed was a blending of traditional Asian art form and storytelling with non Asian modes of expression including modernism, experimental and the avant garde. Simultaneously new audiences sprang up in the communities curious and eager to attend concerts or exhibitions that reflected their realities as immigrants, mixed race, workers, progressive thinkers who hungered for content that was invisible at typical commercial venues or media. Many of the figures whose work I photographed went on to elevate their artistic careers to national prominence, (Bernice Bing, Vijay Iyer, Henry David Hwang, Philip Gotanda, et al.) In my 50+ years of documenting Asian American arts, the depth and diversity of the performances and visual art has grown and matured, being supported in academia and in the communities throughout the U.S.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">-Bob Hsiang</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_38D8F725_6A99_C8B3_41C4_3DDD895B6042.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My relationship with the Asian Pacific Islander Cultural Center (APICC) goes back to its founding years. Five organizations were instrumental in the formation of APICC. When I became director of Kearny Street Workshop from 1995 to 2003, I represented the organization during the discussions that led up to APICC’s formation as an official organization, along with the leaders of Asian American Dance Performances, Asian American Theater Company, First Voice, and Asian Improv aRts.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Since my first poster in 1978, I have produced artwork for numerous political, social, and community organizations. The nine silkscreen posters in this show were created for three of the founding organizations of APICC, depicting their history of performances and workshops. Sachiko Nakamura, founder of the Asian American Dance Collective (now called Asian American Dance Performances), was a good friend of mine. When she heard that I was interested in creating silkscreen posters she asked if I would do one for AADC’s upcoming performance. I was happy to oblige, and went on to create several more posters for her events. Eric Hayashi, director of the Asian American Theater Company, likewise requested me to create artwork to advertise his productions. I also silkscreened a poster for the 10th anniversary of Kearny Street Workshop’s Asian American Jazz Festival, which was thriving under the art direction of Mark Izu.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">-Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_73C057CC_6AFB_9A0F_4199_0F94A5C4958C.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>AADC Benefit Performance</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1978</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">silkscreen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_756CB7CA_6B4A_CFC6_41C0_9953217FCB27.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>And All Through the House</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1985</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">silkscreen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_3B4BEE16_6A9B_D891_41D8_620A4D4D616D.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Dance Collective Performance</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1979</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Silkscreen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_28919EC7_6AB8_79FF_41D1_28707697F37F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Jazz Festival</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1991</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">silkscreen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_2A2DFCD0_6A88_3991_41D0_3009B77DB896.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Jazz Festival</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1991</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">silkscreen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_7504BEF9_6B4D_C1C2_418B_AE6DB4F135D7.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Asian American Theater Company</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Works in Progress</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1979</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">silkscreen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_720E3F8E_6AFB_EA0B_41C3_8EF616ECCA01.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>It’s a Celebration</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1984</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">silkscreen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_3A33665A_6A98_4891_41D4_99EA6C352905.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unbound Spirit</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1986</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">silkscreen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_5AE4DA74_6A89_D891_41D3_2F23C4D1B5E0.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Various mandalas created for exhibitions</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>that APICC co-sponsored</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2015-2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">mixed media</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">I started creating large-scale floor mandalas in 2012. They have evolved from personal expressions to educational stories and spiritual contemplations that involve direct community participation. In 2015, First Voice (Mark Izu and Brenda Wong Aoki) commissioned me to create a 10-foot mandala for their multi-disciplinary Suite J-town project highlighting the history of SF Japantown. For this exhibit, I am showing several of my mandalas that were co-presented by APICC, including the Japantown mandala, this time as projections on the floor using Bob Hsiang’s photographs. This is an exciting new evolution of my mandala-making process. The original mandalas were made of many purchased and created items placed in concentric circles on the floor.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Throughout its 30-year history, APICC has supported many Asian Pacific American artists and arts organizations by offering marketing, fundraising, and production services, as well as presenting space. It has showcased my 2-D and 3-D work several times in its annual United States of Asian America Festival. In 2019, APICC presented my retrospective at the Luggage Store Gallery, providing resources and hands-on assistance. At this time of reduced funding for the arts, the role it plays is crucial for the APA arts community. I celebrate APICC and wish it continued success in the future.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">-Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_5B7284B9_6A98_4993_41D0_4A2986113D9E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Various mandalas created for exhibitions</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>that APICC co-sponsored</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2015-2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">mixed media</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">I started creating large-scale floor mandalas in 2012. They have evolved from personal expressions to educational stories and spiritual contemplations that involve direct community participation. In 2015, First Voice (Mark Izu and Brenda Wong Aoki) commissioned me to create a 10-foot mandala for their multi-disciplinary Suite J-town project highlighting the history of SF Japantown. For this exhibit, I am showing several of my mandalas that were co-presented by APICC, including the Japantown mandala, this time as projections on the floor using Bob Hsiang’s photographs. This is an exciting new evolution of my mandala-making process. The original mandalas were made of many purchased and created items placed in concentric circles on the floor.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Throughout its 30-year history, APICC has supported many Asian Pacific American artists and arts organizations by offering marketing, fundraising, and production services, as well as presenting space. It has showcased my 2-D and 3-D work several times in its annual United States of Asian America Festival. In 2019, APICC presented my retrospective at the Luggage Store Gallery, providing resources and hands-on assistance. At this time of reduced funding for the arts, the role it plays is crucial for the APA arts community. I celebrate APICC and wish it continued success in the future.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">-Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_58ECCCD0_6A98_5991_41D4_A20CBCFD6420.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Various mandalas created for exhibitions</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>that APICC co-sponsored</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2015-2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">mixed media</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">I started creating large-scale floor mandalas in 2012. They have evolved from personal expressions to educational stories and spiritual contemplations that involve direct community participation. In 2015, First Voice (Mark Izu and Brenda Wong Aoki) commissioned me to create a 10-foot mandala for their multi-disciplinary Suite J-town project highlighting the history of SF Japantown. For this exhibit, I am showing several of my mandalas that were co-presented by APICC, including the Japantown mandala, this time as projections on the floor using Bob Hsiang’s photographs. This is an exciting new evolution of my mandala-making process. The original mandalas were made of many purchased and created items placed in concentric circles on the floor.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Throughout its 30-year history, APICC has supported many Asian Pacific American artists and arts organizations by offering marketing, fundraising, and production services, as well as presenting space. It has showcased my 2-D and 3-D work several times in its annual United States of Asian America Festival. In 2019, APICC presented my retrospective at the Luggage Store Gallery, providing resources and hands-on assistance. At this time of reduced funding for the arts, the role it plays is crucial for the APA arts community. I celebrate APICC and wish it continued success in the future.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">-Nancy Hom</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_56CBB33D_6A88_4893_41DA_48E6C37BA7D5.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Pallavi Sharma</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>(Rakt) Beej Performance</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2021</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">video</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The (Rakt) Beej performance is a multidisciplinary collaboration that explores themes of lineage, memory, and cultural endurance. Part of Pallavi Sharma’s art installation in the ‘Sowing Agency’ and her poetry titled (Rakt)Beej (Blood Seeds), the performance piece was developed in collaboration with dancer Sonal Sanghvi and writer, musician, and activist Shailaja Dixit for the show's opening reception.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">It uses a "contrapuntal reading" of the mythology of ‘Raktbeej’ to challenge traditional narratives of power and patriarchy and seeks to create "liberatory spaces" by altering prescriptive religious and cultural texts. In the original myth, every drop of the demon Raktabeej’s blood that touched the ground created a new version of him, making him nearly invincible until Goddess Kali drank his blood. Sharma reinterprets these "blood seeds" as metaphors for regeneration and resilience in the face of systemic oppression rather than just demonic multiplication. Instead of viewing the feminine divine (Kali) solely through a religious lens, performance reads the myth as a symbol of female power and resistance against societal violence and ecological crisis.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">This collaborative performance was inspired by the resilience and contributions of women farmers who have relentlessly sown seeds to preserve our environment, nurture our communities, and stand as stewards of climate justice in India. It draws attention to the contributions of women farmers and how they are exercising their agency to create spaces and foster discourse on the current global ecological crisis.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">This video was documented by Diana Chen. Since the performance wasn’t shown to a live audience due to the pandemic, capturing it on video allows the possibility for it to be shown in a different form. In her documentation, Diana focused on showcasing the performance from different angles to enhance the viewing experience. Here, the camera itself becomes a participant in reclaiming agency by witnessing, archiving, and disseminating the performance to its audience, by generating critical dialogue on the issues depicted in the performance.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_70B3C5B7_6B3A_404E_41D1_EDEC7AC9CB1E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Percy Schumacher </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Alice Wong, a portrait</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">linocut print</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">This print is in honor of local disability justice writer and activist Alice Wong. Wong was the founder of the Disability Visibility Project, an online community dedicated to amplifying disability media and culture. I first learned about Wong’s work through the essay collection she edited called </SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>Disability Visibility: First-Person Stories from the Twenty-First Century.</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> In her writing and work, she described how ableism is intertwined with racism, sexism, and homophobia, and she explained that these fights for the liberation of our communities are all connected. Wong passed in November 2025 in San Francisco. I hope to honor her legacy as an organizer and her commitment to community care.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Wong was an Asian American activist who taught me what it means to love and fight for my disabled family and community. The Bay has a rich history of Asian American activism, and knowing both old and recent histories inspires me to continue the work of our ancestors.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">This print was made by carving and layering two linocut plates, one with black ink and one with a purple-orange gradient. Thank you to the Queer Ancestors Project for their continued printmaking support and mentorship, and thank you to Allison Busch Photography for the reference images.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_2B8533EB_6BCD_C7C6_41C2_0F8B580CDC07.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">SAMMAY</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>HINGA (BREATHE)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2020</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">film, duration: 15 minutes and 15 seconds</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Hinga honors the sacred grief, life force, and resiliency of the Bay Area Filipinx community, and highlights the SOMA Pilipinas Cultural Heritage District during COVID-19.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Hinga in Filipino means “breathe.” The film explores the complexity we embody in the diaspora – how we relate to ourselves, one another, and our earth. It ties together three key pillars of organizing: 1) multi-modal artistic expression; 2) intergenerational activism; and 3) indigenous spirituality. In order to truly strive towards collective liberation, all must be in constant circular movement – spiraling to and from in sacred reciprocity.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Amado Khaya (Amado meaning “beloved”; Khaya meaning “home”) committed his life to the liberation of all peoples. A son of revolutionaries with Filipino and South African roots, his legacy transcends the limitations of time and geographical borders. In August 2020, Amado Khaya died of food poisoning while serving the Mangyan indigenous community in Mindoro, Philippines. Barriers to food access is an ongoing issue – despite the land being self-sustaining and abundant with natural resources. Amado Khaya is the cousin of featured poet Amihan, a Filipinx singer and activist raised in the Excelsior district of San Francisco.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_75D01871_6BD5_12A0_41BC_BBE4EA006D8B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">These paintings are a reflection of my experience from the last 3 decades as a Filipino American environmental justice (EJ) organizer from the Bay Area and my worldview inside the belly of the US beast rooting for the Global South. While earning 2 degrees from UC Berkeley, birthing and raising 2 babies, launching major coalitions to fight climate change, I managed to find some quiet to bring you these images that aren’t in the form of wonky environmental policy! 1990s Filipino Worker Bee was inspired by the call from Maganda Magazine at UC Berkeley where I served as Art Director, to illuminate experiences of Overseas Filipino Workers (OFW) who have fanned out across the globe. 2000s US Social Forum Heartbeat collages pages from the program of the first US Social Forum held in Atlanta, Georgia inspired by World Social Forums that gather various sectors of the social justice movements for fruitful and sometimes tearful moments. 2010s Suns and Daughters for Environmental Justice chronicles the rise of the women-led California EJ movement in state politics in our vision for renewable energy to displace polluting industry poisoning our communities.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_293A2E9F_6A88_D98F_41B4_EF7FAF859094.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Zand Gee</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>First Asian American Jazz Festival</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1981</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">screenprint poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_28227532_6A88_4891_41D9_713D876BABD6.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Zand Gee</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>First Asian American Jazz Festival</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">1981</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">screenprint poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4810EB74_6A88_D891_4191_D7B62E5838AF.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">“Copies are memories, memories are copies”.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My practice examines diasporic identity, memory, and cultural loss through material processes grounded in fragmentation, instability, and erasure. Working primarily with colored sand, I investigate how personal history and cultural belonging are continuously shaped and undone by migration, technological mediation, and displacement. My work unfolds as a first person inquiry into what it means to remember, to belong, and to form intimacy within environments defined by assimilation and digital saturation.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">My works begin with family archival photographs taken between my first and second years of life (1997-1998). I appropriate my own memories by repeatedly returning to and reusing these family archives. I enlarge and isolate intimate details of the photographs before translating them into layered sand surfaces. Through repetition, the same images reappear in altered forms. Their recurrence reflects how memory is constructed through distortion and partial recall. What I remember is never whole. It is blurred, compressed, and continuously rewritten.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The acts of fragmentation and reconfiguration mirror my experience of diasporic identity, in which the self is negotiated across distance and cultural rupture. Even my own archive can feel estranged, mediated, and unstable. By appropriating my past, I question authorship and authenticity, recognizing that memory is a constructed surface formed through repetition and erosion. The fading quality of the repeated photographs speaks to how memory loses clarity over time, how it becomes soft at the edges, and how it is shaped as much by absence as by presence.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'Ubuntu';"/></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Sand functions as both medium and metaphor in my work. Granular and precarious, it recalls the pixel as a basic unit of digital imagery, collapsing the boundary between tactile material and digital abstraction. The sand also reflects the fragility of memory and the impossibility of permanence. Through accumulation and disintegration, I consider how memory, love, and cultural continuity persist as vulnerable formations sustained through care, repetition, and the ongoing act of reconstruction.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">-Jennifer Boyuan Han</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_42F29153_6C55_72E0_41B3_3B4043BA8ACF.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Asma Ghanem</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B><I>Um</I></B></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">2026</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">acrylic, pastel, and cloth on canvas</SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_4239DF35_6C53_6EA0_41CB_BF11FEA34AEE.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Asma Ghanem</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B><I>Um</I></B></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">2026</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">acrylic, pastel, and cloth on canvas</SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_421BA859_6C53_32E0_41DA_14858EF6CCA3.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Asma Ghanem</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B><I>Um</I></B></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">2026</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">acrylic, pastel, and cloth on canvas</SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_5D9C15E9_6C57_1DA0_41C2_3374835CD005.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Michelle Lin</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Rehearse Freedom</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">2024</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">handwoven wool</SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_753945C1_6B4A_C3C2_41CF_C59646C824CC.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Nancy Hom</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B><I>Jan Ken Po</I></B></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">1986</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">silkscreen</SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_3B0475C6_6A9B_CBF1_41B0_79827AD92EA3.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Nancy Hom</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>5 Women Choreographers Workshop</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">1979</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">silkscreen</SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV></BODY></HTML></div>
htmlText_47D805CD_6B7B_C3C2_41D7_378800034AAD.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Weston Teruya</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B><I>skylines (told from across the distance revisited)</I></B></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">2026</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">handmade paper (from kozo, abaca, coconut husk, foraged eucalyptus bark), found and recycled papers, acrylic medium, cochineal, soil, bamboo, and paper thread</SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">The February 7, 1969 issue of Muhammad Speaks featured an iconic photograph of three men standing with one of their arms outstretched in front of them, hands stacked around a clenched fist in a gesture of solidarity. The three, Richard Aoki, Charles Brown, and Manuel Delgado, were organizers with the UC Berkeley chapter of the Third World Liberation Front. Whenever I return to this photo, I think about the performance and iconography of this kind of resistance and allegiance as part of our community inheritance. I’m also taken by what is not represented in this image and the responsibilities the omissions ask of us. This includes LaNada Warjack, the head of the Native American student group and the only woman among the top TWLF leadership, who was not depicted there; and the 2012 allegations of Aoki’s work as an FBI informant (including during the time the photo was taken).</SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><I>skylines</I> utilizes forms inspired by kites to interpret the gesture of hands grasped in solidarity from the historic photo–here with four hands instead of only three. The sculptures delicately lean against one another on the floor, as if awaiting flight or resting after being held aloft; reliant on their neighbor to stay upright in balance. They are grounded and close to us where they can be examined closely, instead of being spectacles to be viewed from a great distance in the sky.</SPAN></DIV></BODY></HTML></div>
htmlText_450A63DE_6BCE_C7FE_41C8_06FD28B57079.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Asma Ghanem</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Umahat/Mothers</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">acrylic and pastel on canvas</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_4403787C_6BCB_C0C2_41B1_00D1891C0B47.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Asma Ghanem</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Watan/Homeland</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">acrylic and glitter on canvas</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_4E7F40C7_6B4E_41CE_41C6_F996B7B58043.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Kimberley Acebo Arteche</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>History of Care</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">used dusters, fabric</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><I>History of Care</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"> centers the duster, a housedress worn close to the body during the invisible hours of domestic work. Collected from Filipina women—mothers, organizers, elders—these dresses carry the texture of care: the nourishing and tending that happens before and after the organizing work. The quilt stitches these fabrics into a counter-archive, tracing how care has always been the infrastructure of movements—the childcare circles that made meetings possible, the hands that cooked ulam so that people could gather, sustain themselves, and keep going. This labor was rarely recorded, but never absent.</SPAN></SPAN></DIV></div>
htmlText_5DA3EFB0_6BCE_4042_41D4_4FE2034BE934.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Macro Waves (Robin Birdd David, Dominic Cheng, and Jeffrey Yip)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unpacking the APICC Archives: The Collective Struggles of the Older, Smaller, Asian, Community-Based, Arts Organization (OSACAO)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed administrative documents on textile, video collage of archival performances, and audio interviews</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The Older, Smaller, Asian, Community-Based Arts Organization (OSACAO) was the de facto name for what would later become the Asian Pacific Islander Cultural Center (APICC). This installation marks the beginning of an unfolding archive—one that remains incomplete, with stories, perspectives, and materials still missing from APICC’s founding history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Commissioned by APICC, Macro Waves presents a multimedia installation drawn from the organization’s archive, focusing on its formative years (1995–1998). The work assembles physical and digital remnants of a collective struggle to sustain funding, cultural visibility, and a permanent place for the local Asian American arts community. Centered on two archival boxes—“Arts Advocacy” and “1998 USAAF Festival”—the installation brings together fragmented administrative documents and oral histories that recount key moments of civic engagement, coalition-building, and community resilience. Printed on textiles and pinned into layered compositions, board minutes, emails, grant proposals, surveys, and newspaper clippings trace the often-invisible labor behind this movement.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 1 presents vertically hung fabric embedded with planning documents for APICC’s early festival initiatives. At one end is a video montage that weaves together past performances, exhibitions, and public programs with audio interviews featuring photographer Bob Hsiang, artist and former Kearny Street Workshop Executive Director Nancy Hom, and APICC co-founder Pamela Wu-Kochiyama. On the other end is a reprint of the 1995 San Francisco Asian American Arts Community Needs Assessment Project report, which details a comprehensive community survey, analysis, and recommendations that were prepared for the San Francisco Arts Commission.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 2 features horizontally draped textiles displaying archival materials from early arts advocacy efforts. Documents ranging from proposed amendments to the Cultural Facilities Bond to the formation of the Asian and Pacific Islander Arts Community Development Initiative reveal an ongoing struggle to secure a permanent cultural center.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rather than presenting a complete history, this installation treats the archive as ongoing and partial. It invites viewers to consider what is preserved, what is missing, and how collective memory continues to be shaped. Continued research, community engagement, and the inclusion of diverse voices remain essential to expanding this history—both to better understand the past and to inform the future of Asian American Arts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_5FA573F6_6BCF_C7CE_41D4_63E3FC51C6FF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Macro Waves (Robin Birdd David, Dominic Cheng, and Jeffrey Yip)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unpacking the APICC Archives: The Collective Struggles of the Older, Smaller, Asian, Community-Based, Arts Organization (OSACAO)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed administrative documents on textile, video collage of archival performances, and audio interviews</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The Older, Smaller, Asian, Community-Based Arts Organization (OSACAO) was the de facto name for what would later become the Asian Pacific Islander Cultural Center (APICC). This installation marks the beginning of an unfolding archive—one that remains incomplete, with stories, perspectives, and materials still missing from APICC’s founding history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Commissioned by APICC, Macro Waves presents a multimedia installation drawn from the organization’s archive, focusing on its formative years (1995–1998). The work assembles physical and digital remnants of a collective struggle to sustain funding, cultural visibility, and a permanent place for the local Asian American arts community. Centered on two archival boxes—“Arts Advocacy” and “1998 USAAF Festival”—the installation brings together fragmented administrative documents and oral histories that recount key moments of civic engagement, coalition-building, and community resilience. Printed on textiles and pinned into layered compositions, board minutes, emails, grant proposals, surveys, and newspaper clippings trace the often-invisible labor behind this movement.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 1 presents vertically hung fabric embedded with planning documents for APICC’s early festival initiatives. At one end is a video montage that weaves together past performances, exhibitions, and public programs with audio interviews featuring photographer Bob Hsiang, artist and former Kearny Street Workshop Executive Director Nancy Hom, and APICC co-founder Pamela Wu-Kochiyama. On the other end is a reprint of the 1995 San Francisco Asian American Arts Community Needs Assessment Project report, which details a comprehensive community survey, analysis, and recommendations that were prepared for the San Francisco Arts Commission.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 2 features horizontally draped textiles displaying archival materials from early arts advocacy efforts. Documents ranging from proposed amendments to the Cultural Facilities Bond to the formation of the Asian and Pacific Islander Arts Community Development Initiative reveal an ongoing struggle to secure a permanent cultural center.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rather than presenting a complete history, this installation treats the archive as ongoing and partial. It invites viewers to consider what is preserved, what is missing, and how collective memory continues to be shaped. Continued research, community engagement, and the inclusion of diverse voices remain essential to expanding this history—both to better understand the past and to inform the future of Asian American Arts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_5EA4F9C1_6BCE_43C2_41D3_8DD4E503EEC0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Macro Waves (Robin Birdd David, Dominic Cheng, and Jeffrey Yip)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unpacking the APICC Archives: The Collective Struggles of the Older, Smaller, Asian, Community-Based, Arts Organization (OSACAO)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed administrative documents on textile, video collage of archival performances, and audio interviews</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The Older, Smaller, Asian, Community-Based Arts Organization (OSACAO) was the de facto name for what would later become the Asian Pacific Islander Cultural Center (APICC). This installation marks the beginning of an unfolding archive—one that remains incomplete, with stories, perspectives, and materials still missing from APICC’s founding history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Commissioned by APICC, Macro Waves presents a multimedia installation drawn from the organization’s archive, focusing on its formative years (1995–1998). The work assembles physical and digital remnants of a collective struggle to sustain funding, cultural visibility, and a permanent place for the local Asian American arts community. Centered on two archival boxes—“Arts Advocacy” and “1998 USAAF Festival”—the installation brings together fragmented administrative documents and oral histories that recount key moments of civic engagement, coalition-building, and community resilience. Printed on textiles and pinned into layered compositions, board minutes, emails, grant proposals, surveys, and newspaper clippings trace the often-invisible labor behind this movement.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 1 presents vertically hung fabric embedded with planning documents for APICC’s early festival initiatives. At one end is a video montage that weaves together past performances, exhibitions, and public programs with audio interviews featuring photographer Bob Hsiang, artist and former Kearny Street Workshop Executive Director Nancy Hom, and APICC co-founder Pamela Wu-Kochiyama. On the other end is a reprint of the 1995 San Francisco Asian American Arts Community Needs Assessment Project report, which details a comprehensive community survey, analysis, and recommendations that were prepared for the San Francisco Arts Commission.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 2 features horizontally draped textiles displaying archival materials from early arts advocacy efforts. Documents ranging from proposed amendments to the Cultural Facilities Bond to the formation of the Asian and Pacific Islander Arts Community Development Initiative reveal an ongoing struggle to secure a permanent cultural center.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rather than presenting a complete history, this installation treats the archive as ongoing and partial. It invites viewers to consider what is preserved, what is missing, and how collective memory continues to be shaped. Continued research, community engagement, and the inclusion of diverse voices remain essential to expanding this history—both to better understand the past and to inform the future of Asian American Arts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_58BF3263_6BCE_40C6_41D8_EC7DDF1681AF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Macro Waves (Robin Birdd David, Dominic Cheng, and Jeffrey Yip)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unpacking the APICC Archives: The Collective Struggles of the Older, Smaller, Asian, Community-Based, Arts Organization (OSACAO)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed administrative documents on textile, video collage of archival performances, and audio interviews</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The Older, Smaller, Asian, Community-Based Arts Organization (OSACAO) was the de facto name for what would later become the Asian Pacific Islander Cultural Center (APICC). This installation marks the beginning of an unfolding archive—one that remains incomplete, with stories, perspectives, and materials still missing from APICC’s founding history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Commissioned by APICC, Macro Waves presents a multimedia installation drawn from the organization’s archive, focusing on its formative years (1995–1998). The work assembles physical and digital remnants of a collective struggle to sustain funding, cultural visibility, and a permanent place for the local Asian American arts community. Centered on two archival boxes—“Arts Advocacy” and “1998 USAAF Festival”—the installation brings together fragmented administrative documents and oral histories that recount key moments of civic engagement, coalition-building, and community resilience. Printed on textiles and pinned into layered compositions, board minutes, emails, grant proposals, surveys, and newspaper clippings trace the often-invisible labor behind this movement.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 1 presents vertically hung fabric embedded with planning documents for APICC’s early festival initiatives. At one end is a video montage that weaves together past performances, exhibitions, and public programs with audio interviews featuring photographer Bob Hsiang, artist and former Kearny Street Workshop Executive Director Nancy Hom, and APICC co-founder Pamela Wu-Kochiyama. On the other end is a reprint of the 1995 San Francisco Asian American Arts Community Needs Assessment Project report, which details a comprehensive community survey, analysis, and recommendations that were prepared for the San Francisco Arts Commission.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 2 features horizontally draped textiles displaying archival materials from early arts advocacy efforts. Documents ranging from proposed amendments to the Cultural Facilities Bond to the formation of the Asian and Pacific Islander Arts Community Development Initiative reveal an ongoing struggle to secure a permanent cultural center.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rather than presenting a complete history, this installation treats the archive as ongoing and partial. It invites viewers to consider what is preserved, what is missing, and how collective memory continues to be shaped. Continued research, community engagement, and the inclusion of diverse voices remain essential to expanding this history—both to better understand the past and to inform the future of Asian American Arts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_5E48382B_6BCE_C046_41C7_7A3D02995720.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Macro Waves (Robin Birdd David, Dominic Cheng, and Jeffrey Yip)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unpacking the APICC Archives: The Collective Struggles of the Older, Smaller, Asian, Community-Based, Arts Organization (OSACAO)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed administrative documents on textile, video collage of archival performances, and audio interviews</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The Older, Smaller, Asian, Community-Based Arts Organization (OSACAO) was the de facto name for what would later become the Asian Pacific Islander Cultural Center (APICC). This installation marks the beginning of an unfolding archive—one that remains incomplete, with stories, perspectives, and materials still missing from APICC’s founding history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Commissioned by APICC, Macro Waves presents a multimedia installation drawn from the organization’s archive, focusing on its formative years (1995–1998). The work assembles physical and digital remnants of a collective struggle to sustain funding, cultural visibility, and a permanent place for the local Asian American arts community. Centered on two archival boxes—“Arts Advocacy” and “1998 USAAF Festival”—the installation brings together fragmented administrative documents and oral histories that recount key moments of civic engagement, coalition-building, and community resilience. Printed on textiles and pinned into layered compositions, board minutes, emails, grant proposals, surveys, and newspaper clippings trace the often-invisible labor behind this movement.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 1 presents vertically hung fabric embedded with planning documents for APICC’s early festival initiatives. At one end is a video montage that weaves together past performances, exhibitions, and public programs with audio interviews featuring photographer Bob Hsiang, artist and former Kearny Street Workshop Executive Director Nancy Hom, and APICC co-founder Pamela Wu-Kochiyama. On the other end is a reprint of the 1995 San Francisco Asian American Arts Community Needs Assessment Project report, which details a comprehensive community survey, analysis, and recommendations that were prepared for the San Francisco Arts Commission.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 2 features horizontally draped textiles displaying archival materials from early arts advocacy efforts. Documents ranging from proposed amendments to the Cultural Facilities Bond to the formation of the Asian and Pacific Islander Arts Community Development Initiative reveal an ongoing struggle to secure a permanent cultural center.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rather than presenting a complete history, this installation treats the archive as ongoing and partial. It invites viewers to consider what is preserved, what is missing, and how collective memory continues to be shaped. Continued research, community engagement, and the inclusion of diverse voices remain essential to expanding this history—both to better understand the past and to inform the future of Asian American Arts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_52A83AB4_6BDD_C042_41CB_2BC2D8A09406.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Macro Waves (Robin Birdd David, Dominic Cheng, and Jeffrey Yip)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unpacking the APICC Archives: The Collective Struggles of the Older, Smaller, Asian, Community-Based, Arts Organization (OSACAO)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed administrative documents on textile, video collage of archival performances, and audio interviews</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The Older, Smaller, Asian, Community-Based Arts Organization (OSACAO) was the de facto name for what would later become the Asian Pacific Islander Cultural Center (APICC). This installation marks the beginning of an unfolding archive—one that remains incomplete, with stories, perspectives, and materials still missing from APICC’s founding history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Commissioned by APICC, Macro Waves presents a multimedia installation drawn from the organization’s archive, focusing on its formative years (1995–1998). The work assembles physical and digital remnants of a collective struggle to sustain funding, cultural visibility, and a permanent place for the local Asian American arts community. Centered on two archival boxes—“Arts Advocacy” and “1998 USAAF Festival”—the installation brings together fragmented administrative documents and oral histories that recount key moments of civic engagement, coalition-building, and community resilience. Printed on textiles and pinned into layered compositions, board minutes, emails, grant proposals, surveys, and newspaper clippings trace the often-invisible labor behind this movement.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 1 presents vertically hung fabric embedded with planning documents for APICC’s early festival initiatives. At one end is a video montage that weaves together past performances, exhibitions, and public programs with audio interviews featuring photographer Bob Hsiang, artist and former Kearny Street Workshop Executive Director Nancy Hom, and APICC co-founder Pamela Wu-Kochiyama. On the other end is a reprint of the 1995 San Francisco Asian American Arts Community Needs Assessment Project report, which details a comprehensive community survey, analysis, and recommendations that were prepared for the San Francisco Arts Commission.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 2 features horizontally draped textiles displaying archival materials from early arts advocacy efforts. Documents ranging from proposed amendments to the Cultural Facilities Bond to the formation of the Asian and Pacific Islander Arts Community Development Initiative reveal an ongoing struggle to secure a permanent cultural center.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rather than presenting a complete history, this installation treats the archive as ongoing and partial. It invites viewers to consider what is preserved, what is missing, and how collective memory continues to be shaped. Continued research, community engagement, and the inclusion of diverse voices remain essential to expanding this history—both to better understand the past and to inform the future of Asian American Arts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_5CB8FA46_6BDE_40CE_41C1_F7671D3C58C0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Macro Waves (Robin Birdd David, Dominic Cheng, and Jeffrey Yip)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Unpacking the APICC Archives: The Collective Struggles of the Older, Smaller, Asian, Community-Based, Arts Organization (OSACAO)</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2026</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">printed administrative documents on textile, video collage of archival performances, and audio interviews</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">The Older, Smaller, Asian, Community-Based Arts Organization (OSACAO) was the de facto name for what would later become the Asian Pacific Islander Cultural Center (APICC). This installation marks the beginning of an unfolding archive—one that remains incomplete, with stories, perspectives, and materials still missing from APICC’s founding history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Commissioned by APICC, Macro Waves presents a multimedia installation drawn from the organization’s archive, focusing on its formative years (1995–1998). The work assembles physical and digital remnants of a collective struggle to sustain funding, cultural visibility, and a permanent place for the local Asian American arts community. Centered on two archival boxes—“Arts Advocacy” and “1998 USAAF Festival”—the installation brings together fragmented administrative documents and oral histories that recount key moments of civic engagement, coalition-building, and community resilience. Printed on textiles and pinned into layered compositions, board minutes, emails, grant proposals, surveys, and newspaper clippings trace the often-invisible labor behind this movement.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 1 presents vertically hung fabric embedded with planning documents for APICC’s early festival initiatives. At one end is a video montage that weaves together past performances, exhibitions, and public programs with audio interviews featuring photographer Bob Hsiang, artist and former Kearny Street Workshop Executive Director Nancy Hom, and APICC co-founder Pamela Wu-Kochiyama. On the other end is a reprint of the 1995 San Francisco Asian American Arts Community Needs Assessment Project report, which details a comprehensive community survey, analysis, and recommendations that were prepared for the San Francisco Arts Commission.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Installation 2 features horizontally draped textiles displaying archival materials from early arts advocacy efforts. Documents ranging from proposed amendments to the Cultural Facilities Bond to the formation of the Asian and Pacific Islander Arts Community Development Initiative reveal an ongoing struggle to secure a permanent cultural center.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Rather than presenting a complete history, this installation treats the archive as ongoing and partial. It invites viewers to consider what is preserved, what is missing, and how collective memory continues to be shaped. Continued research, community engagement, and the inclusion of diverse voices remain essential to expanding this history—both to better understand the past and to inform the future of Asian American Arts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_2B16B067_6B36_40CE_41D6_B2B877E97949.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Michelle Lin</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';"><B><I>Betray Empire</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">2024</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">handwoven wool</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">Echoing direct action banner drops, “Rehearse Freedom” and “Betray Empire” are promises and calls to action to fight against the model minority mentality that perpetuates and upholds anti-Blackness, colonialism, classism, and racial capitalism. How will you practice liberation for yourself and for all peoples? How will you disavow oppressive systems and practices that harm your self and others? How can we live better together, here in the imperial core?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Ubuntu';">feed a friend • kiss • rest • escalate • learn to cry • learn to touch • learn to say sorry • hold the line • bring u a pillow • believe • wheat paste • betray empire • break a window • sit in silence • be grateful • be ungrateful • throw down with strangers • trust • redistribute wealth • refuse binary • ask for help • know your rights • return to land • return the land • love yourself • intervene • demand nothing less • hold the door open • pet a dog • scream on a beach • liberate a building • sleep forever • feed the people • break the wall • laugh • look at the stars • strategize • write a letter • de-arrest • block a boat • hold a hand • Free Palestine</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
htmlText_40C7685E_6B4A_40FE_41CF_0336C24D533E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Weston Teruya</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B><I>skylines (told from across the distance revisited)</I></B></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">2026</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">handmade paper (from kozo, abaca, coconut husk, foraged eucalyptus bark), found and recycled papers, acrylic medium, cochineal, soil, bamboo, and paper thread</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">The February 7, 1969 issue of Muhammad Speaks featured an iconic photograph of three men standing with one of their arms outstretched in front of them, hands stacked around a clenched fist in a gesture of solidarity. The three, Richard Aoki, Charles Brown, and Manuel Delgado, were organizers with the UC Berkeley chapter of the Third World Liberation Front. Whenever I return to this photo, I think about the performance and iconography of this kind of resistance and allegiance as part of our community inheritance. I’m also taken by what is not represented in this image and the responsibilities the omissions ask of us. This includes LaNada Warjack, the head of the Native American student group and the only woman among the top TWLF leadership, who was not depicted there; and the 2012 allegations of Aoki’s work as an FBI informant (including during the time the photo was taken).</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><I>skylines</I> utilizes forms inspired by kites to interpret the gesture of hands grasped in solidarity from the historic photo–here with four hands instead of only three. The sculptures delicately lean against one another on the floor, as if awaiting flight or resting after being held aloft; reliant on their neighbor to stay upright in balance. They are grounded and close to us where they can be examined closely, instead of being spectacles to be viewed from a great distance in the sky.</SPAN></DIV></div>
htmlText_46F7C793_6B4A_C046_41B1_18F1E7CB767D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Weston Teruya</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B><I>skylines (told from across the distance revisited)</I></B></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">2026</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">handmade paper (from kozo, abaca, coconut husk, foraged eucalyptus bark), found and recycled papers, acrylic medium, cochineal, soil, bamboo, and paper thread</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">The February 7, 1969 issue of Muhammad Speaks featured an iconic photograph of three men standing with one of their arms outstretched in front of them, hands stacked around a clenched fist in a gesture of solidarity. The three, Richard Aoki, Charles Brown, and Manuel Delgado, were organizers with the UC Berkeley chapter of the Third World Liberation Front. Whenever I return to this photo, I think about the performance and iconography of this kind of resistance and allegiance as part of our community inheritance. I’m also taken by what is not represented in this image and the responsibilities the omissions ask of us. This includes LaNada Warjack, the head of the Native American student group and the only woman among the top TWLF leadership, who was not depicted there; and the 2012 allegations of Aoki’s work as an FBI informant (including during the time the photo was taken).</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><I>skylines</I> utilizes forms inspired by kites to interpret the gesture of hands grasped in solidarity from the historic photo–here with four hands instead of only three. The sculptures delicately lean against one another on the floor, as if awaiting flight or resting after being held aloft; reliant on their neighbor to stay upright in balance. They are grounded and close to us where they can be examined closely, instead of being spectacles to be viewed from a great distance in the sky.</SPAN></DIV></div>

## Right Click Menu

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## Skin

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## Tour

### Description

### Title
tour.name = APICC 2026